2016 Gets Off To A Great Start
2015 was another amazing year at Offbeat. 2016 is lining up to be outstanding as it gets off to a great start with Ross Munro’s single Gravel Path (from his ground breaking album Twisted Traditions -Greentrax Records) reaching no1 in the Celtic Radio Charts. The album was produced here at the Offbeat Studio.
The BBC/Swedish movie Stockholm My Love starring Neneh Cherry will be screened at the Cannes Film Festival before being aired on BBC TV. All the commentary for Neneh’s voice in the film was recorded here in Edinburgh for the film which is directed by Mark Cousins.
In 2014 and 15 Offbeat produced an album for Sir Chris Evans entitled Lest We Forget. The album is based on letters written back from the front line by soldiers who never returned. The songs were put together by Sir Chris who also plays Lead Guitar on thew album. It feature vocals by Brian Rice, Steve Balsamo, Aubrey Parsons, Darren Wharton, Ruth Notman & Seonaid Aitken.
The album has been passed on legendary music producer Youth who has the task of inviting well known artists on to the album to make sure it achieves maximum publicity.
Imaginary Creatures second album Danse Macabre was released in 2015 and this year we start work on the third album working with the projects brainchild and lyricist.
Offbeat are about to embark on a debut album for African singer Anthony Obi. He has a inspired voice and we very much look forward to working with him.
Singer and songwriter Norine Mindeyes is about to release her uplifting and truly majestic debut single United. Offbeat producer Iain McKinna and Norine have been working for a couple of years now on songs which will be reeled over the year. Notably Tell Me & Living On A Bridge.
Who knows what else will come our way over the year. On Wednesday we work with Skyler Jett, completing vocals which were recorded in Switzerland. Skylar famously accompanied Celine Dion on the movie’s title track Titanic. He then replaced Lionel Ritchie as Lead Singer with The Commodores.
Offbeat news from our Edinburgh Recording Studio.
THE PRODUCERS BLOG
Well since our last Offbeat blog but we have been very busy here at our Edinburgh recording studio. These last two years have been far and away our busiest in our 23 year history with a great combination of original music production and voice commentaries. As usual the range of styles is mind boggling and has made for a very interesting period for the studio for both Kirsty Anderson (the studio manager) and myself. We hope you enjoy the blog and snippets of music we have been granted permission to post too.
GAVIN BLACKIE – LAID BARE (album)
In the past couple of months we’ve picked up the pace with Gavin Blackie’s debut album LaId Bare and I am is now mixing six of the tracks he co-wrote with Gavin for the album.The album was started back in 2013 but was on hold for most of last year as Gavin was busy gigging and writing new material for the project.
Gavin comes up with great lyrics. melodies and ideas for music and I interpret this into music and songs that are really sounding great. Gav’s unique vocal abilities really shine on these songs. Kirsty Anderson also features on vocals and violin.
We first got together after he won Edinburgh’s Got Talent back in 2010 and have been writing together ever since.
KIRSTY LOGAN – THE GRACEKEEPERS (audio book)
We recently completed an audio book for Australian company Bolinda.com with author Kirsty Logan who narrated her amazing award winning novel The Gracekeepers here at our Edinburgh recording studio.
The recording lasts just over nine hours and amazingly we sent it over to the company for final edits without a single mistake in the recording- by either Kirsty Logan, who did an amazing job of the narration, or myself who recorded and compiled all the audio over an intensive session lasting three days.
The book is about a circus boat in a flooded world. North and her bear live on the Circus Excalibur, floating between the scattered archipelagoes that are all that remains of the land. (read this review)
DAVID ELL – WELCOME TO THE BALL (album)
The David Ell album Welcome To The Ball is now completed and mastered. David recorded and produced it in his home studio in Linlithgow using Cubase and I mixed and mastered the album here in Edinburgh on Logic Pro X at Offbeat.
It’s a great album of Alternative Rock songs with all the music played by David apart from a little Bass here and there by myself. The release date for the album has been set for……….. and will be released on Davids own label….., some of the songs will be accompanied by videos which are currently in production.
David and I first worked together this way on a selection of his songs a few years back. This current album will soon be released.
ROSS MUNRO – TWISTED TRADITION (album)
Former Royal Scot’s Dragoon Pipe Major Ross Munro’s album Twisted Tradition is also completed and mastered. It features a selection of fantastic tunes, some of which were written by Ross, and some traditional tunes. As the title suggests it’s pipe music with a twist.
On this album Ross also plays most of the instruments and also showcases his amazing arrangement skills. I played Bass on a few tracks, Drums on one and guitar on another.
We are currently negotiating a licensing deal for the album and hope to be able to announce a label and release date very soon. Iain & Ross worked together on the Spirit Of The Glen trilogy of album from 2007-2010. Ross will be promoting the album with live performances both here in the UK and the US when the album is released.
SIR CHRIS EVANS – LEST WE FORGET (album)
This album is based on poignant and emotional letters written back home from soldiers in World War 1 who never returned. Sir Chris Evans is an accomplished songwriter and guitarist who has put this album of songs together, produced by me and featuring some great musicians and singers.
Including Steve Balsamo (vocals) , Brian Rice (vocals) Seonaid Aitken (vocals & violin) Jon Cohen (Strings) Ted McKenna (Drums) Ruth Notman (vocals), Ross Munro (pipes and whistle), Kirsty Anderson(vocals), Aubrey Parsons (vocals). I play Bass, Acoustic Guitar and Keyboards.
More musicians and singers are still to contribute to the album which is scheduled for completion in early Autumn 2015. What makes this album very challenging is that we require many different vocalists for the album as almost every song requires a different singing style. Sometimes we have to try out several singers for a song before deciding which works best.
IMAGINARY CREATURES – DANSE MACABRE (album)
This is the second album I’ve co-written with lyricist David Scott. It has a 70s rock feel and features performances by Ted McKenna (drums), Keith More (guitar), Rich Anderson on keyboards, Joe Bouchard (guitar) Kirsty Anderson and Alexis Anderson (backing vocals), Luis Albornoz-Parra on Synths, John Burgess (soprano sax and clarinet), Kenny Tomlinson (tenor and baritone sax) and me on Bass, Keys and Guitar. David sings backing vocals on a few tracks too.
The first album The Butterfly’s Dream was an extensive collection of songs which worked well to varying degrees but this project feels much more like a album and we are both very pleased and excited about how it’s turning out. The recording of the album is now complete and mixing is about to begin. David comes up with the musical ideas for each song and I interpret them musically for him, something I’m doing more and more these days for both lyricists and singers.
MARK AG – LIGHTING THE WAY HOME (album)
Brighton based Mark AG wrote most of this album using an iPad and then came into Offbeat where I produced it last year. It has now been mastered but Mark decided to release two singles from the album prior to releasing the whole album.
Mark and I have been working together now for a few years when Mark initially came to our Edinburgh recording studio from Brighton to master songs from his first album entitled 3am Sleepwalkers.
The latest single “A Beautiful Flower…what if?”. is available on iTunes, Amazon, Spotify, Youtube, Soundcloud and more. It features Kenny Tomlinson on Sax. Offbeat’s Kirsty Anderson also shows her versatility on this album, providing backing vocals on a couple of tracks and electric violin on one. Mark plays Piano and I contribute, Bass, Drums and Electric Guitar throughout.
JABJAB – (album)
Back in the 70s gigging band Huddersfield based band JabJab recorded many songs and gigs which for reasons of timing didn’t actually ever get released. The recordings were subsequently lost and were just recently found by their Hammond organist Rob Whittington. I took the master tapes into Pierhouse studio in Edinburgh where expert audio engineer Pete Haigh had to actually physically bake the tapes as a precautionary measure to avoid shedding of them having been stored for so long. The baking method makes sure the oxide on the tapes sticks to the plastic backing long enough for the tapes to be played back and transferred.
The recovered recordings were then transferred to digital and mastered by me here at Offbeat. The story of Jabjab is currently being made into a documentary which will tell the whole story of the baked tapes etc so I don’t want to elaborate too much on things just yet. As soon as the film is released we will feature it in a future blog. The band are performing a reunion gig in July in Huddersfield. For more details visit the website
As well as all the above we have recorded several audio commentaries for the Royal London website, Mastered a song called She by Renaud Cmela, and produced a song by songwriter Stewart Morrison entitled Time I Wasn’t Here.
Another full on year at Offbeat
Since starting Offbeat we’ve been involved in some great projects and last year was one of our busiest and most interesting yet.
70’s Reggae band Jab Jab recorded a lot of songs back in the day and through their keyboard player and family friend Rob Whittington (we share the same niece, Jess McKinna). I had the priveleged job of transferring their old 1/4” tapes, cassettes and assorted studio and live recordings into digital and re-mastering a double album amazing tracks. Some of the tracks hadn’t been heard for over 30 years! I went into Pierhouse Studios in Edinburgh where boffin and studio genius Pete Haigh baked the tapes. This was because a few of them were very old and were shedding. Playing them like the risks permanent damage- the baking process melds the tape back together so that they can be safely played. Pete then transferred them onto digital for me. They all played at different speeds so we rescued the material through a selection of Pete’s Tape Recorders.
There was about 3 hours of material to master. Here’s an excerpt from a personal favourite.
Last past year I produced and provided the backing track for a single for LA and Kuala Lumpar based singer Khylune. His video of the song Shut Up & Dance has had over 150.000 Youtube hits since it’s release in February. He was in Malaysia at the time of putting the track together and I worked on the production after hearing a demo of the song which was co-written with Award Winning US Nashville based songwriter CJ Watson, author of “The Everything Songwriting Book” and “Essential Songwriting”. Khy went into the studio in Kuala Lumpar to lay down his vocals and the sent them back go Scotland for me to mix.When asked for material for my blog last year Khy informed me that his foster Dad was the late Artie Mogul, the man who discovered Bob Dylan and owner of United Artists Records. Read my blog on Khylune for more information on this.
Closer to home Americana vocalist Jim Connor has been exporting his songs to the States from Scotland. I provide all the musical backing and production for Jim who I’ve been working with now for several years – Jim has a strong and distinctive vocal style which has a very broad appeal.
Jim works on demos of his songs at his home in Cumbernauld and sends them through on Dropbox for me to work on here at the Offbeat studio. Once the tracks are ready he visits the studio to lay down his vocals.
In 2013 we had a no1 on Celtic Music Radio and Broadjam with his compositions Mysterious Lady and Drift Away. Here’s a clip from our latest unreleased recording of his uplifting song Open Your Mind
Singer, Drummer and Songwriter Brian Rice and I have also worked on a couple of his songs this year. Brian, who originally comes from Northern Ireland and now lives in Aberfoyle, has an amazing voice and is a talented composer and musician who collaborates with songwriters Worldwide.
I first met Brian about 8 years ago when he visited the studio with his songwriting partner Clive at the time to mix and master a single they had wrote together.
I love the song we produced together entitled Waiting For Me To Fall and hope to work on more tracks with him in 2014. To read more about my collaboration with Brian and to hear the full version of the song Click HERE
Stewart Morrison has been coming to the studio now for 18 months, recording a selection of his own compositions in which Kirsty Anderson and I contribute musical parts and vocals for his varied songwriting styles. Here’s a clip of his great song You Were The One.
Stewart comes into the studio with his songs in his head and we interpret them into full productions and definitive versions of his ideas.
A few years back we held a 50th birthday party experience at which we met Film Producer Mark Cousins. We then went on to record commentary for four of his films, the most successful being The Story Of Film An Odyssey which continues to gather International acclaim and success.
IN 2013 Mark was back to record his voice for The Story Of Children & Film . As well as this we recorded Neil Oliver for Coast Australia and Hollywood actor Brian Cox who was the voice of Duggy The Dug who’s animated films have done a great job of promoting the Yes vote for the forthcoming Independence campaign. The project was for Newsnet Scotland and was produced by Independent Film Director Alan Knight.
Here’s one of a series of videos in which Duggy The Dug espouses convincing arguments for the case for voting Yes to Independence
We also recorded a sign language to audio version of Skint for AC2.com as well as several audio projects for Gavin Brogan from Scottish Life.
David Hyslop has been writing song and having them produced at other studios until he decided to give Offbeat a go with his excellent song Hollow Rain. Not wanting to influence my production of the track, David decided not to attend any of the sessions and gave me a wide remit for re-arranging the song.
Initially he provided a rough demo and I worked from that. David says of his Offbeat experience “Working with Iain on my song was a great experience – there is a relaxed and friendly vibe at the Offbeat studio, and I always welcomed Iain’s constructive and valuable input into the song which really helped to bring out the best in the material. Highly recommended!”
David came in to the studio at the very end to work with Kirsty on the verses to make sure his vocal ideas were incorporated into the final mix. The result is an evocative and uplifting song which has evolved into this recording that everyone involved in the team is proud of. Here’s a short section of the song.
2013 ended with more recordings for the Kings Theatre panto Peter Pan. I’ve been working with the team now for 7 years through Rich Anderson MD. Allan Stewart (pictured with me -left) who famously plays Widow Twanky, has also been in the studio recording tracks for his own projects.
Ongoing projects for 2014 are Imaginary Creatures –70’s Classic Rock album of original compositions by Lyricist & Songwriter David Scott entitled The Butterfly’s Dream which is due for release in Spring.
Also talented vocalist & Songwriter Mark Greenock comes to the studio all the way from Brighton to record his second album Lighting The Way Home.
Singer Songwriter & Multi Instrumentalist David Ell is in the process of recording his third album at his home studio in Linlithgow. I am helping David mix and master the album as well as creating backing tracks for his live set.
Renaud Cmela is currently recording at the studio on a song we started a while back entitled Starting Over
Also embarking on an album of songs is super talented Vocalist & Songwriter Gavin Blackie. More about this, Imaginary Creatures, David Ell and Mark Greenock and Renaud Cmela in future articles… watch this space 🙂
Edinburgh Music Scene
The Edinburgh music scene has always been surprisingly diverse. I remember once chatting to Island A&R rep Rich Brown when he dropped by our Edinburgh Recording Studio to listen to who we were recording. He said that wherever he went in the UK he could predict the kind of music he was going to hear depending on the city. In Manchester there was a particular sound, likewise in Glasgow and bands generally conformed to that.
But whenever he visited a Recording Studio in Edinburgh or went to a gig here, he was completely bamboozled as he never knew what he was going to see or hear next. It made his job as an A&R guy quite hard as he really liked the music he experienced but couldn’t see where it would fit in with the label, This general lack of trend may in part explain the lack of success Edinburgh has in being a place were new music breaks or gets noticed. It’s certainly not because there isn’t enough good musicians or writers. There’s a musician getting recordings together in every tenement around here.
I’ve always found this bizarre mix of things going on here really exciting so working and running a recording studio in Edinburgh since the mid 70s has never been dull. As a engineer and producer I’ve worked in loads of styles because that’s what the place has presented me with as well as chiming with my own mad record collection when I was in my early teens in the late 60’s early 70s. But that’s for a seperate blog. Since starting at Edinburgh’s Southside Studios in 1976 the range of music I’ve recorded has been consistently extreme.
And still now, In any given week I can record Folk, Rock, Alternative Pop, Classical, Jazz and loads of stuff in between which defies pigeon holing. In 1999 I produced a crazy diverse compilation called Selection Box just to highlight how many ranges of stuff I was hearing and recording and in the process the album perplexed everyone who heard it as it was way too diverse to get your head round if you are a reviewer , or marketer or even fan of a particular kind of music. So although there were some hard core fans of the album, it could never have worked commercially. Creatively it’s amazing but there is a commercial downside to having too wide a taste in both listening to and creating music.